Students from the ceramics class began their three-day ceramic sale outside the R building on Monday.

It is the naked immersion into the cultural and gender clashes that emerge in Montserrat Fontes’ First Confession that will draw readers of years to come; the remarkable entrance into a world where the actions of two spoiled children lead to a tragic chain of events, ultimately ending in murder and suicide, that will compel readers even fifty years from now to connect to the novel.

Students walk around campus with their headphones stuffed in their ears, lip-syncing to an unknown melody humming in their heads, unaware of their surrounding or fellow students. They are lost in the melodious euphoria of their personal pocket-music libraries.

If you’ve ever lost your eyes momentarily to the paintings, stencils and stickers that cover the walls of the T building, you’ve proabably come face to face with Dave Cuatt, digital imaging assistant professor. In true “Where’s Waldo” fashion, his stencil likeness is plastered all over the upstairs and downstairs halls.

His laidback sense of style with his distinctive French accent aren’t the only things that make this relatively young sociology professor, Tony Jugé, stand out among the rest of PCC’s sociology professors.

World of Warcraft: Wrath of the Lich King includes the much anticipated hero class death knight, along with a new profession, a cap level to 80, a new continent bigger than the outlands, and much more.

This is the season to be watching movies. Whether you’re a crier or action junkie, there are some great holiday movies to satisfy your cravings.

Gracie Williams, a 22-year-old hospitality major, can finally see the light at the end of the tunnel, or rather, at the end of her bed stand.

In the middle of the Automotive Technology room, you’ll find an office with a female mannequin head on the desk, and behind that, you’ll find the actual female head of the shop: Wendy Lucko.

Chuck Klosterman (“Sex, Drugs and Cocoa Puffs”) recently released “Downtown Owl,” his fifth book and his first fiction novel. Klosterman is known for his intellect and criticism of popular culture, but his transition from critic to novelist doesn’t go over as smoothly for readers unfamiliar with his earlier work.